Way back in the 1990s (yes, a millennium ago, kids), writer/director Kevin Smith made his name with pop culture-laced foul-mouthed comedies centering largely on crude sexual and scatalogical humor and a couple stoners known only as Jay and Silent Bob. However, Smith ultimately quit the movie business following his underrated 2011 indie horror film Red State, choosing instead to focus largely on his Smodcast podcast empire and other creative endeavors. Three years later, the auteur behind modern classics like Clerks and Dogma has emerged from self-proclaimed retirement with Tusk, and the result couldn’t be stranger. Continue reading Review: ‘Tusk’ →