Since the early 1980s, Nancy Meyers has been shaping the face of female-led comedies, with films like Baby Boom and Private Benjamin among her first projects as a screenwriter. By the time her directorial career really took off in the 2000s, Meyers had evolved her specialty to delving into the complex romantic lives of people of a certain age (Something’s Gotta Give, It’s Complicated). With The Intern, the writer/director finds the cross-section between these two eras of her storytelling career, with charming if uninspired results that should provide something for older and younger moviegoers alike.

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