Thanks to modern classics like Memento, The Dark Knight and Inception, director Christopher Nolan has become just as recognizable a brand in the film community as Disney-owned studios like Marvel and Pixar. In keeping with is reputation as arguably one of the most successful filmmakers of our time (and one of our favorites, to boot), a tremendous amount of anticipation and mystery have surrounded his latest film, Interstellar. But does the sci-fi epic live up to the pre-release hype, or does it serve as Nolan’s first creative misfire since ascending to the ranks of Hollywood royalty (notwithstanding the often-justified criticism of The Dark Knight Rises)? Continue reading Review: ‘Interstellar’ →