Post-apocalyptic films have long been a staple of cinema. Dystopian futures, usually in the clear guise of science fiction, just have a sly way of commenting on the troubles of today, often pointing towards the uncertainty that lies ahead. From The Hunger Games to Dawn of the Planet of the Apes, this particular thematic sub-genre is firmly rooted in today’s cinematic landscape. Yet, even with that fact, Snowpiercer is certainly unlike any film about humanity’s fate that moviegoers are likely to see this year.
Director Bong Joon-ho’s film takes place after an attempt to reverse the harmful effects of global warming has gone terribly awry, covering the planet in ice and snow and eliminating most of the world population. The remaining survivors reside on the titular train, divided into a clear class system wherein a revolution – led by Curtis Everett (Chris Evans) – looms.
That description touches on the most basic premise of the film, but truly Snowpiercer is one of those films that undeniably benefits by knowing as little about it as possible going in. Moment to moment, the events onscreen captivate the audience not so much due to the story at hand – which is laden with not-so-subtle commentary on race relations, governmental control and the environment – but more because of its sheer unpredictability. The film is a true mishmash of tones, shifting from dark and brooding to campy and light and back again without a moment’s hesitation. If Joon-ho’s intention is to keep his audience in rapt attention, he certainly pulls it off here, bringing his visual flair and unique style to the film on what a low estimated budget of under $40 million.
Yet, all of Joon-ho’s skill wouldn’t pay off without the efforts of his extraordinary cast. Evans shines once more following his excellent leading role in superhero sequel Captain America: The Winter Soldier. Over the course of his career, the actor has proven that he’s more than a pretty face, as he’s moved from blockbuster releases to indie fare with little effort. His role here as the conflicted revolutionary is a testament to the fearlessness with which he chooses his projects, and his performance is invaluable to its success.
However, Evans is also surrounded by a brilliant supporting cast, including John Hurt, Jamie Bell, South Korean actors Song Kang-ho and Go Ah-sung, and Oscar winners Octavia Spencer and Tilda Swinton. Swinton in particular has some of the film’s most egregiously over-the-top moments (we swear, you’ll never see a shoe the same way again), and her incredible range brings a lot to the film. Another celebrated actor appears later on in the film as well, but that particular reveal is better off discovered during the film.
Despite its strong themes and stronger performances, Snowpiercer is sure to be a divisive experience for some moviegoers. Aside a few moments of black comedy and camp, the film is unapologetically bleak and pretty horrific in its depiction of humanity, but what it lacks in optimism, Snowpiercer delivers in pure entertainment value, food for thought and unadulterated ambition. Joon-ho’s film may not be as effective as it perhaps could have been, but its wacky, try-anything approach is nothing if not charming and serves as a welcome palate cleanser amid the typically unimaginative summer months.
Rating: 4 out of 5
Snowpiercer stars Chris Evans, Jamie Bell, Tilda Swinton, Octavia Spencer and John Hurt. It is directed by Bong Joon-ho and is now available in limited theatrical release as well as video-on-demand services.