Prior to its release, no one quite knew what to make of Rise of the Planet of the Apes. But after it became one of 2011’s biggest surprise hits, it was clear just how much life was left in the decades-old sci-fi franchise. With its sequel, returning star Andy Serkis and director Matt Reeves (Cloverfield, Let Me In) raised the emotional stakes and spectacle even higher.
Jason from Binge Movies makes his long-awaited Franchise Detours debut to dig into 2014’s Dawn of the Planet of the Apes. We’ll discuss what Reeves — who, most recently, put his stamp on The Batman — brings to the franchise, Serkis’ stunning (and awards-worthy) lead performance as Caesar, and why Dawn doesn’t receive the credit it deserves.
A full decade after director Tim Burton’s “reimagining” of Planet of the Apes, the franchise seemed pretty much done. Hollywood turned its attention to other movie series, but after both Batman and Bond successfully relaunched by taking its iconic worlds back to basics, Fox ultimately took the same approach with one of its most successful brands of the past.
Film critic Nguyên Lê — who previously joined us to talk 2005’s Batman Begins — returns to help us break down 2011’s Rise of the Planet of the Apes. We’ll discuss the film’s reception as one of that year’s biggest surprise hits, how star Andy Serkis’ motion-capture performance redefined the series, and how the film sets up a brand-new take on Planet of the Apes.
After the disappointment of Battle for the Planet of the Apes, the franchise limped on in the form of two short-lived television series. First came 1974’s live-action Planet of the Apes TV series, followed the next year by the animated project Return to the Planet of the Apes. Neither caught on with fans, and despite a long development, a new film didn’t arrive until 2001.
Lauren Knight of That Movie Is Fine joins the show to discuss director Tim Burton’s “reimagining” of Planet of the Apes. We’ll discuss the movie’s poor reputation despite box office success, the performances by the likes of Mark Wahlberg and Tim Roth, and of course, that mystifying twist ending.
